Conditions for Collaboration

Students interested in undertaking an undergraduate or postgraduate thesis under my supervision are expected to meet the following criteria:

• Have a cumulative grade point average (GPA) of at least 7.5.
• Have achieved a grade of 7 or higher in both Computer Graphics and C++ Programming.
• Be willing and able to continue the work after thesis defence, with the aim of submitting the results for scientific publication.

Indicative Topic Areas

• Real-time Rendering
• Geometry Processing
• Animation
• Virtual and Augmented Reality

2026

• 

  Novel Gaussian Splatting

  Alexandros Βogdos, Andreas-Charalampos Panagopoulos, Dimitrios Pentaris TBD.

Conditions for Collaboration

Students interested in undertaking a thesis under my supervision are expected to meet the following criteria:

• Have a cumulative grade point average (GPA) of at least 7.5.
• Have achieved a grade of 8 or higher in both Digitization Technologies, Techniques and Applications and Interaction Design & Multimedia.
• Be willing and able to continue the work after thesis defence, with the aim of submitting the results for scientific publication.

Indicative Topic Areas

• Digital Presentation of Tangible and Intangible Cultural Heritage
• Conversational AI Guides for 3D Digital Experiences
• Augmented Reality (AR) Experiences for the Humanities

2025

• 

  Exploring Rizokastro: A 3D Digital Experience with Conversational AI Guide

  Stamatia Panagiotopoulou, TBD.

  ★ To be submitted for publication
• 

  Development of a Digital Tour of Cultural Sites Using Gaussian Splatting

  Maria Tsaknaki, https://doi.org/10.26219/heal.aueb.9801.

2024

• 

  Traffic Safety Education for Preschool Children Using Augmented Reality

  Anastasia Vrettou, https://doi.org/10.26219/heal.aueb.4567.

  ★ To be submitted for publication
• 

  Nafplio 1821–1831: Reconstructing the History Using 3D Tools

  Stella Sotirchou, https://doi.org/10.26219/heal.aueb.4588.

• 

  Digital Heritage Promotion of Lefkada Island

  Yanna Chalikiopoulou, https://doi.org/10.26219/heal.aueb.4310.

2023

• 

  Digitizing Artifacts and Developing a Digital Museum of Pontic Hellenism

  Sofia Kastanidi, https://doi.org/10.26219/heal.aueb.5105.

• 

  Digital Twin of the Folklore Museum of Vytina: Design and Development

  Nikos Apostolopoulos, https://doi.org/10.26219/heal.aueb.5129.

2022

• 

  Virtual Interactive Experience of the Ancient Treasures of Amorgos Island

  Nektaria Prasinou, https://doi.org/10.26219/heal.aueb.4439.

• 

  3D spatiotemporal reconstruction of an archaeological excavation of pot burial

  Melina Grigoriadi, https://doi.org/10.26219/heal.aueb.4891.

  ★ Published at CAA 2025
• 

  Digital Papyrology Museum: Design and Development

  Kalliroi Arvaniti, https://doi.org/10.26219/heal.aueb.4491.

2021

• 

  Social Networking in 3D Virtual Worlds

  Konstantina Kloukina, https://doi.org/10.26219/heal.aueb.4829.

• 

  Immersive Journalism: Risks and Challenges

  Alexandros Xintaras, https://doi.org/10.26219/heal.aueb.5436.

• 

  Artificial Intelligence as a Factor of Evolution in Visual Art Creation and Digital Presentation

  Stefanos Moschos, https://doi.org/10.26219/heal.aueb.4686.

2020

• 

  The Use of 3D Digital, Interactive, and Immersive Technologies in the Design, Production, and Presentation of Artistic Work

  Νatalia Τheodorou, https://doi.org/10.26219/heal.aueb.5430.